Joseph Parsons 2008
Joseph Parsons has always created his own unique vibe. For the recording side of his music, it is edgy melody focused songwriting. He brings a heart and soul to his songs through energy and emotional honesty. Often stories of people caught in hard times seeking salvation through love or a spiritual connection. Genres run the gamut from SingerSongwriter to Pop to Groove. His CD's are always a journey for the listener.
For his live show, Parsons takes a different approach. The live band show is a Rock show. Touring as a guitar centered 4-piece (drums, bass, electric, acoustic and several vocals), he put's on an incredible show. Charisma, vocal prowess, a great band and a select cover or two, Parsons' shows are always energetic, often bombastic.
A perpetual traveler, Parsons has seen most of the world through the wide eyes of a human activist. Spending time as a human shield in war zones or supporting Native American injustices, Joseph makes no bones about getting involved. And that's exactly what he brings to his music.
A deep romantic, a student of the human condition and being an experienced producer enables Joseph to express with pin-point accuracy. A recent quote "an experienced dealer of emotions" says it all.
Parsons started the collaborative bands '4 Way Street' (Sanctuary Records) and 'Hardpan' (Blue Rose Records.)
The Fleury Sessions
Released August 25, 2006 in Europe on Blue Rose Records.
Following a successful run of European dates, Joseph Parsons and his touring band camped out a small studio outside Paris. The fruit of their labour, The Fleury Sessions, captures the band at its most cohesive and lends an unstudied organic feel to a new batch of songs that will delight Parsons’ growing fan base.
There is a bright, breezy, optimistic flow to theses songs that belies the current state of the world but underscores our need to cut through to the light that is always just beyond the darkness.
The band assembled for this project includes Parsons on guitar and vocals, Tom Gillam (lead guitar), Scott Bricklin (bass) and Matt Muir (drums). The band amplify the strong sing-along melodies with bright vocal harmonies that are reminiscent of Parsons work with 4 Way Street on the Pretzel Park album.
The Fleury Sessions kicks off on an upbeat note with Sun’s Gonna Shine and it seems nothing is going break Parsons’ mood. We are introduced to the guitar work of Tom Gilliam, who weaves his signature throughout the proceedings without ever overpowering the solid work of his fellow musicians. On the opener he brings to mind the late Beatles era George Harrison.
The album continues on a front porch country rock trail through Fool Again and Taken By Surprise until we arrive at Shine (in many ways a foil for Sun’s Gonna Shine). This takes us to the underside with more Gillam guitar licks, this time with an emotional intensity that will appeal to fans of David Gilmour.
King of Baltimore would shine among the works of John Fogerty, Dave Edmunds or Tom Petty but it is pure Parsons – narrated by the vagabond man and populated by “gypsies, beggars and one-eyed men.”
By the time we reach First Sight it’s evident that the band is still having a good time. The melody is memorable – you’ll be singing this one in the shower and who will argue with the concept of love at first sight?
This is a joyous album. It captures a songwriter at the top of his game in the company of skilled musicians who know how to let the music lead where it will.